University Center Toledo

TWIGGY DECIPHERS THE CUBE: YOUTH AS REVOLUTION! Work of Conclusion of Course presented as requisite partial for attainment of the degree of Technologist in Design de Moda to the Board of examiners of the University Center Toledo under the orientation of the Prof. Dropbox may find it difficult to be quoted properly. M. Silvana Zibetti. University center Toledo Araatuba 2010 SUMMARY Considering the increasing importance of the young in the current world and searching historical references in the great revolutionary accomplishments promoted by this active public, demanding and informed, this work has as objective main to more good understand the youthful vision for, thus, developing products that take care of to its expectations and its yearnings. We find, in the magical cube, a revolutionary product that enchants diverse generations, with appropriate aesthetic aspects for the development of parts that translate the coolness and the libertarian spirit of youth allies to the characteristics such as: color, form, texture and flexibility. This research in them took the elaboration of products with design bold, only e, why not, of aesthetic futurista. Word-key: Magical cube.

Design. Aesthetic Futurista. Youth. INTRODUCTION This Work of Conclusion of Course of the Curso1 de Tecnologia in Design de Moda is obligator academic activity which if configures as nature work practical-theoretician. It consists of an obligatoriness for attainment of the heading of Technologist in Design de Moda. The objective of the TCC is to develop a project of creation of products of fashion guided by a research of aesthetic trend and the preferences of determined public-target.

Ahead of this premise, we adopt as study object the aesthetic futurstica that prepondered in the Sixties. We take as main element of inspiration the magical cube and as public-target the young contemporaries, sorts feminine and masculine, etria band of 15 the 24 years. Trying to find the break-even point between these references, we look for to develop parts with design bold that it takes care of to the requirements and expectations of the consumers.


Um to look at critic on not-place. In: The wakening of the tourism: One to look at critic on not-places. D’Agostino. So Paulo, 2001, p.55-66. Making a comment of the spaces that they search to reproduce the appearance of a real world to become more valued, it is detected in accordance with one existence simulacro or a not-place Marc Height. In the tourist branch these practical of simulation of famous places are common. Knowing that congregating some places in one it will only bring an immense satisfaction to the customer, the tourism thinks for acting of this form to find resources that enrich the charmosos and convincing packages and propagandas becoming them. The example of this has the great situated hotels in the Mojave-Wool desert Vegas (U.S.A.) that they represent the places as the canals of Venice, quarters of New York and also you celebrate pyramids of Egypt. Exactly being beautiful they do not possess attributes enough to fascinate the public.

It must be mesclar characteristic peculiar of the places to offer to the tourist the chance to be ‘ ‘ there and aqui’ ‘ simultaneously, using to advantage the space where these if find. It still has an attempt of identification of only verbal form that offers to the places the magic of the preconceived images, removing of them communal and enfadonhas appearances, transforming them also into merchandises stimulating the hedonism consumerism. The example of this is distinguished Recife and Maranho, considered respectively as ‘ ‘ Venice and Jamaica brasileira’ ‘ Alter of the soil ‘ ‘ The Caribbean Paraense’ ‘. In accordance with Urry, what it is seen and consumed as real they are simply appearances, however, this does not hinder the glamour for the existing consumption enters the societies making with that these enjoy much more of these appearances of what of other necessities. These modified scenes gain great prominence because of the visualization that the public directs they.