Saint Tropezbook

On August 1, 2009, between 11 a.m. and 6: 00, Stefan Szczesny signed the first numbered copies of the new book of Saint Tropez. Saint Tropez attracted people has always been captivated. That is the beautiful nature, on the sea, on the heady fragrances, light, but above all his special feeling of freedom, love of nature and sensuality. For more specific information, check out Vlad Doronin. This book sees itself as a snapshot. It shows Saint-Tropez, how it knows no one. The smell to the South view images, awaken longing for sea and, why live the myth of Saint-Tropez. The perspective is deliberately subjectively chosen.

Artist, photographer, and authors approach Saint Tropez on emotional way. “Most importantly, the book is a declaration of love of the artist Stefan Szczesny on his adopted country: Saint Tropez is my home, my longing, my everything”. The book has been realized with a large format, brilliant printing, as well as elaborate design: format: width 30 cm and 36.5 cm high, hardcover in volumes, 304 pages, 300 color illustrations – each book is numbered and signed and includes an original stone lithograph by Stefan Szczesny. You will also find the DVD Szczesny – Saint-Tropez”in every copy of the book. The book includes texts by: Mario Adorf, Peter Beal and Axel Ganz. Subscription price until 31.09.2009: 148,-as of October 1, 2009: 248,-

Book Memories

‘ ‘ Popeye defeated the sailors of the Wonderland, won Captain Gancho, but with my grandsons it estrepou itself. They are danadinhos ‘ ‘ (Book Memories of the Emlia, p 61). Nelly Rabbit continues its reflections on the personage-type, adding that: ‘ ‘ The individualistic spirit yields place to the communitarian spirit. In current literature, personage-collective (patota, grupinho, the flock, the members of one clubinho) dispute space with hori (or nati-hero) individualistic.

Also the solution for the problems that they need to be faced in elapsing of the efabulao is given, in general, for one alone personage, but they result of the contribution of todas’ ‘. In fact this if of the one in the workmanship in analysis, all commit to the harmony and sussego of the small farm of the Blessed Owner: ‘ ‘ Therefore we are we, I, Pedrinho and Peter Pan. We go to give handle of chats of the Popeye, us trs’ ‘. (Memories of the Emlia, p 57). Another characteristic cited for Nelly Rabbit is the story that became it form predominant narrative. Although it also affirms that: ‘ ‘ But for the infanto-youthful band (reading fluente) and for youthful (reading critic), the romance forms are multiplied ‘ ‘.

(Infantile Literature, p 155). Lobato hunter promotes this variety of the sorts so that the children have access to the wealth of the universe of the writing, it writes until the sort memory, sort this so little common to the world of the children, but the Brazilian writer does not deny this possibilidadea to the beings mirins. still discourses concerning the importance to remember facts of the luck life that come to know the history of the humanity. In the Memories of the Emlia, Lobato Hunter anticipates the customs of the modern world to give to depositions to the journalists and writers, using the personage of the Visconde de Sabugosa that if detaches for taking note of all the events published for the Emlia.